Tuesday, August 13, 2019

fiction - The Good, the Bad, and the Semicolon


I completed my novel and an editor friend graciously offered to assist me with formatting. As a former scientist, I am more familiar with technical or academic writing, so formatting fiction can be a challenge. My friend stripped out my semicolons and replaced most with a simple period. I asked why, was I using them inappropriately? I know they are used to separate independent but linking clauses, why make two short complete sentences when one will suffice? She laughed and said they are fine if you are a dead British writer, other than that they are used infrequently at best in modern fiction writing. Academics and technical writers are more prone to their usage by the nature of their writing.


This prompted me to do independent research to confirm her advice and I found this gem:



You are allowed one semicolon in your entire working life as a novelist. You can use more than that if you insist, but quite honestly you have a disease that should be treated and I refuse to be an enabler for you. https://www.advancedfictionwriting.com/blog/2010/07/16/correctly-formatting-your-novel-manuscript/




Funny, but seriously? So I hunted a bit more then found Grammar Girl also has a great post on the usage of semicolons. She quotes no less of an authority than Kurt Vonnegut:



First rule: Do not use semicolons. They are transvestite hermaphrodites representing absolutely nothing. All they do is show you’ve been to college. http://www.quickanddirtytips.com/education/grammar/vonneguts-famous-semicolon-advice-was-taken-out-of-context



Huh? Her article continues to explain that Vonnegut was engaged in hyperbole, but it remains vague if he actually shunned the usage of semicolons when he stated this:



He ends any lingering doubt when he uses a semicolon later in the essay and then writes,



*And there, I’ve just used a semicolon, which at the outset I told you never to use. It is to make a point that I did it. The point is: Rules only take us so far, even good rules.





Are semicolons only allowed in technical or academic writing?



Answer



Bollocks. (That's a technical term.) The semicolon is the correct punctuation for a particular kind of sentence structure. So on the face of it, if you want to outlaw something, it should be that sentence structure, not the punctuation that is necessary to it.


But this is one of those rules like kill all the adverbs. Many writers today do not give sufficient attention to the quality of their prose. They are all about getting their plot down on paper and are negligent of their prose and its effects. One of the most obvious ways this shows up is as the sloppy use of adverbs. But merely cutting out all the adverbs won't make your prose better. And substituting exotic verbs for simple verbs, as some anti-adverb crusaders recommend, won't make it better either. In fact, it will make it more pretentious. If you train yourself to be a good prose stylist, if you pay attention to the quality of your prose as you write, you will use adverbs appropriately where they are needed.


Similarly, people who don't pay attention to their prose often end up writing convoluted sentences that are hard to read and then try to fix them with punctuation. If you get down to semicolons in this attempt to punctuate a broken sentence it is a good sign your sentence needs to be rewritten. In fact, I would state it as an axiom that if you have any question about how to punctuate a sentence, you should probably rewrite the sentence, and, quite possibly, the entire paragraph. But really great sentences can sometimes require semicolons and taking out all the semicolons will make the great sentences worse but it won't make the bad sentences better.


Any rule that makes an enemy of any part of speech or any punctuation mark is bollocks. Great prose stylists use them all. To determine if an adverb or a semicolon is appropriate in a particular sentence, you have to look at the overall quality of the prose. Adverbs and semicolons may be relatively rare in good prose, but they have their place and are something essential to felicity of expression.


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